{"id":2636,"date":"2016-04-05T19:29:29","date_gmt":"2016-04-05T19:29:29","guid":{"rendered":"http:\/\/www.beaweb.org\/conv\/?page_id=2636"},"modified":"2016-04-14T03:26:44","modified_gmt":"2016-04-14T03:26:44","slug":"asc-cinematography-masterclass-with-dejan-georgevich-asc","status":"publish","type":"page","link":"https:\/\/www.beaweb.org\/conv\/asc-cinematography-masterclass-with-dejan-georgevich-asc\/","title":{"rendered":"ASC Cinematography Masterclass"},"content":{"rendered":"<p>[et_pb_section][et_pb_row][et_pb_column type=&#8221;3_4&#8243;][et_pb_text admin_label=&#8221;Text&#8221; background_layout=&#8221;light&#8221; text_orientation=&#8221;left&#8221;]<\/p>\n<h2>ASC Cinematography Masterclass<br \/>\nWednesday, April 20 | 10:30 AM &#8211; 11:45 AM | Pavilion 2<\/h2>\n<p>The ASC&#8217;s annual Cinematography Masterclass will explore the opportu<a href=\"http:\/\/www.beaweb.org\/conv\/wp-content\/uploads\/2015\/07\/asc1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-2402 size-full\" src=\"http:\/\/www.beaweb.org\/conv\/wp-content\/uploads\/2015\/07\/asc1.jpg\" alt=\"asc\" width=\"250\" height=\"300\" \/><\/a>nities of filmmaking with today&#8217;s hottest technology. In conjunction with the American Society of Cinematographers, this workshop will introduce you in an intimate setting to this year\u2019s award winning guests.<\/p>\n<p><strong>Bill Bennett, ASC<\/strong><\/p>\n<p><strong><a href=\"http:\/\/www.wfb4.com\/\">http:\/\/www.wfb4.com\/<\/a><\/strong><\/p>\n<p>Bill has been a USA-based Cinematographer for 20 years. Starting out as a carpenter on set, but always with the intention of making it behind the camera, he made his way up to the top of his profession and now works with clients like Audi, Land Rover and Apple. Bill recently received the President&#8217;s Award from the American Society of Cinematographers.<\/p>\n<p><strong>Anastas Michos, ASC<\/strong><\/p>\n<p><strong><a href=\"http:\/\/anastasmichos.com\/\">http:\/\/anastasmichos.com\/<\/a><\/strong><\/p>\n<p><strong><a href=\"http:\/\/www.imdb.com\/name\/nm0003712\/\">ANASTAS MICHOS<\/a><\/strong>\u00a0works with bold confidence in every genre. From lush period pieces, to sparkling\u00a0romantic comedies, from electrifying thrillers to pulsating musicals, Michos brings to each of his films a strong style and dynamic look.<\/p>\n<p>His versatility is front and center in the kaleidoscopic musical drama\u00a0<em>Sparkle;\u00a0<\/em>the breezy romantic comedy\u00a0<em>Jumping the Broom;\u00a0<\/em>the ominous horror film\u00a0<em>Texas Chainsaw Massacre 3D;\u00a0<\/em>the relentless in-your-face camerawork of the FBI thriller<em>\u00a0Untraceable;<\/em>\u00a0the gritty reality of the New York police drama\u00a0<em>Freedomland;<\/em>\u00a0the lush period drama\u00a0<em>Mona Lisa Smile,<\/em>\u00a0and the polished suspense thriller\u00a0<em>Perfect Stranger.<\/em><\/p>\n<p>Experience and artistry combine in his work with Hollywood\u2019s\u00a0leading ladies<em>.\u00a0<\/em>\u00a0Beyonce Knowles, Halle Berry, Kirsten Dunst, Julia Roberts, Angela Bassett, Julianne Moore, Jennifer Hudson,\u00a0Paula Patton, Julia Stiles, \u00a0Whitney Houston, Meg Ryan, Annette Benning are a few of the women captured by his lighting artistry and appreciation of beauty in storytelling. Throughout his lengthy career, Michos has collaborated with the industry\u2019s top directors, among them, Milos Forman, Edward Norton, Kasi Lemmons, Mike Newell, Stephen Frears, Neil Jordan, Oliver Stone, Ron Howard, and Danny DeVito.<\/p>\n<p>Before moving up to Director of Photography, Michos worked for more than a decade as one of the industry\u2019s most respected and sought after camera and Steadicam operators.\u00a0 He remains an active member of the American Society of Cinematographers, and \u00a0the Academy of Motion Picture Arts and Sciences. Michos lecturers frequently\u00a0at universities and workshops throughout the US and Europe.<\/p>\n<p><strong>Richard Crudo, ASC<\/strong><\/p>\n<p><a href=\"http:\/\/www.richardcrudoasc.com\/\">http:\/\/www.richardcrudoasc.com\/<\/a><\/p>\n<p><strong>Francis Kenny, ASC<\/strong><\/p>\n<p><a href=\"http:\/\/www.franciskenny.us\/about.html\">http:\/\/www.franciskenny.us\/about.html<\/a><\/p>\n<p>Francis Kenny was the chief documentary\u00a0cinematographer on He Makes Me Feel Like Dancin\u00a0which won an Academy Award for\u00a0Best Documentary Feature.\u00a0 He&#8217;s\u00a0photographed numerous feature films, commercials, and television shows. \u00a0His dramatic\u00a0films include the television show Justified (Peabody Award),\u00a0Bonnie and Clyde\u00a0(Bruce Beresford), \u00a0Steel Magnolias\u00a0(Kenny Leon), Finder&#8217;s Fee (Jeff Probst),\u00a0Sweet Bird of Youth (Nicolas Roeg), and the feature films She&#8217;s All That,\u00a0Harriet the Spy,\u00a0Jason&#8217;s Lyric, Coneheads, New Jack City, and Heathers.<\/p>\n<p>Francis is an active working cinematographer who\u00a0specializes in the use of the Red Digital Camera. \u00a0He spends his off time teaching cinematography at UCLA, AFI, the ASC, and the Maine Photographic Workshop. \u00a0He is\u00a0proficient in Adobe&#8217;s Photoshop and the printing of digital pictures where he studied under Mac Holbert of\u00a0Nash Editions<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243;][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p><div class=\"et_pb_section et_pb_section_0 et_section_regular\" >\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div><div class=\"et_pb_row et_pb_row_0 et_pb_row_empty\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div> ASC Cinematography Masterclass Wednesday, April 20 | 10:30 AM &#8211; 11:45 AM | Pavilion 2 The ASC&#8217;s annual Cinematography Masterclass will explore the opportunities of filmmaking with today&#8217;s hottest technology. In conjunction with the American Society of Cinematographers, this workshop will introduce you in an intimate setting to this year\u2019s award winning guests. Bill Bennett, ASC http:\/\/www.wfb4.com\/ Bill has been a USA-based Cinematographer for 20 years. Starting out as a carpenter on set, but always with the intention of making it behind the camera, he made his way up to the top of his profession and now works with clients like Audi, Land Rover and Apple. Bill recently received the President&#8217;s Award from the American Society of Cinematographers. Anastas Michos, ASC http:\/\/anastasmichos.com\/ ANASTAS MICHOS\u00a0works with bold confidence in every genre. From lush period pieces, to sparkling\u00a0romantic comedies, from electrifying thrillers to pulsating musicals, Michos brings to each of his films a strong style and dynamic look. His versatility is front and center in the kaleidoscopic musical drama\u00a0Sparkle;\u00a0the breezy romantic comedy\u00a0Jumping the Broom;\u00a0the ominous horror film\u00a0Texas Chainsaw Massacre 3D;\u00a0the relentless in-your-face camerawork of the FBI thriller\u00a0Untraceable;\u00a0the gritty reality of the New York police drama\u00a0Freedomland;\u00a0the lush period drama\u00a0Mona Lisa Smile,\u00a0and the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-2636","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.beaweb.org\/conv\/wp-json\/wp\/v2\/pages\/2636","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.beaweb.org\/conv\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.beaweb.org\/conv\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.beaweb.org\/conv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.beaweb.org\/conv\/wp-json\/wp\/v2\/comments?post=2636"}],"version-history":[{"count":3,"href":"https:\/\/www.beaweb.org\/conv\/wp-json\/wp\/v2\/pages\/2636\/revisions"}],"predecessor-version":[{"id":2656,"href":"https:\/\/www.beaweb.org\/conv\/wp-json\/wp\/v2\/pages\/2636\/revisions\/2656"}],"wp:attachment":[{"href":"https:\/\/www.beaweb.org\/conv\/wp-json\/wp\/v2\/media?parent=2636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}